Unregistered Nurse


CALENDAR



5.23 Ottobar Upstairs
Foster Care
Secret Local Band
Savage Pinks
Gutterhooks


5.24 Sidebar
Coliseum
Red Hare
Give
Spoilage


5.27 Metro Gallery
MEMORIAL DAY RAGER
with
Natural Child
Slow Jerks
The Matrimonials
+ DJ Dad Weed


5.28 Metro Gallery
Lemuria
War on Women
Sick Sick Birds


5.31 Metro Gallery
Black Pus
Weekends
Baby Asprin DVD
Wing Dam
Teenage Souls


6.5 Ottobar Upstairs FREE SHOW
Woolen Men (Woodsist)
Lame Drivers
Crimson Wave
Expert Alterations


6.11 Metro Gallery
The Body
TBA


6.18 Golden West
BBQT
Mt. Carmel
TBA


6.20 Metro Gallery
Bleeding Rainbow
Fat Creeps
TBA


6.21 Golden West
Baltimore Animal Rights Federation (BARF) / Humane League Benefit!!
with
Friendbeast
Night Moves
Enemy Insect


6.26 Ottobar Upstairs
TBA


7.16 Metro Gallery
inc. (4AD Records)
Kelela
DJ Total Freedom


8.27 Ottobar
CSR 7th Anniversary!!!
with
Zero Boys
Night Birds
Give
WarXGames
Ravagers


10.17 Metro Gallery
U+Nfest preparty


10.18 & 19 Ottobar
U+Nfest




Booking Inquiries

unbooking@gmail.com



Hype

UNREGISTERED NURSE NAMED BALTIMORE'S BEST MUSIC PROMOTER 2012!!!

FACEBOOK PAGE

twitter
past shows

josh sisk
novelty haus
alex fine
post typography
gen pop records
ea sounds
golden west events
sonar
atomic books
gutter magazine

Booking + promo, shows + tours

Added! 11.9

OLD LINES have been added to Day 1 of U+Nfest w/ Sick Weapons, Leather, Slow Jerks & Radar Eyes.

CLICK HERE to RSVP

U+Nfest is here! CLICK THE PICTURE TO RSVP!!!

November 9th and 10th at Metro Gallery it’s U+Nfest!!  BANDS; SECRET HEADLINER (will be announced at the end of October) SICK WEAPONS (Back!)FACEBOOK GRASS WIDOW (California, Kill Rock Stars) FACEBOOK PURLING HISS (Philly Lo-fi stoner rock, Mexican Summer/ Fan Death Records)FACEBOOK NIGHTMARE BOYZZZ (Surf jamz from Alabama)FACEBOOK RADAR EYES (Drone pop from Chicago)FACEBOOK SLOW JERKS PURE JUNK + SEVERAL MORE, and DJ sets In addition to music, there will also be an art show of photos and fliers from past Unregistered Nurse events, plus free food & surprises, to be announced just before the fest!! Day line up, advance ticket link, prices and all other general info, to be posted soon

U+Nfest is here! CLICK THE PICTURE TO RSVP!!!


November 9th and 10th at Metro Gallery it’s U+Nfest!!

BANDS;

SECRET HEADLINER (will be announced at the end of October)

SICK WEAPONS (Back!)
FACEBOOK

GRASS WIDOW (California, Kill Rock Stars)
FACEBOOK

PURLING HISS (Philly Lo-fi stoner rock, Mexican Summer/ Fan Death Records)
FACEBOOK

NIGHTMARE BOYZZZ (Surf jamz from Alabama)
FACEBOOK

RADAR EYES (Drone pop from Chicago)
FACEBOOK

SLOW JERKS

PURE JUNK

+ SEVERAL MORE, and DJ sets


In addition to music, there will also be an art show of photos and fliers from past Unregistered Nurse events, plus free food & surprises, to be announced just before the fest!!

Day line up, advance ticket link, prices and all other general info, to be posted soon
CONFIRMED! 9.27
++CLICK THE PICTURE TO RSVP!! ++ R STEVIE MOORE (Lo-fi Legend!!!! … FACEBOOK) HORSE LORDS (FACEBOOK)

 SPITTING IMAGES (New, mem. Sri Aurobindo, White Life, Needlegun) $8/ 10pm ******************** from Wikipedia; Robert Steven Moore (born January 18, 1952) is an American singer, songwriter, and musician. In addition to having numerous albums released on labels around the world, the prolific Moore has self-released over 400 cassette and CD-R albums since 1968, as well as dozens of home videos, mostly through the R. Stevie Moore Cassette Club, a home-based label. His eclectic work incorporates a variety of musical styles, both popular and experimental. From 1978 to November 2010, Moore lived and recorded in his apartment studios in Montclair, New Jersey, and then Bloomfield, New Jersey, before relocating to his native Nashville in December 2010. He is the oldest son of Bob Moore, veteran Nashville A-Team bassist, producer, and orchestra leader, as well as a longtime sideman for Elvis Presley, Roy Orbison and many others. In February 2005, newspaper writer Tammy LaGorce praised Moore, dubbing him a “lo-fi legend” in the New York Times. Biography Moore, born in Nashville, Tennessee, made his commercial recording debut inadvertently at age seven, an overdub session his father—legendary Music City session musician Bob Moore (not Elvis guitarist Scotty Moore, as many articles mistakenly claim) —set up, singing a duet with Jim Reeves entitled “But You Love Me, Daddy” in 1959. The novelty song went unreleased for 10 years, when it became a hit single in the UK on the RCA Victor label in 1969. Moore is proficient on guitar, bass, keyboards, percussion, and songwriting. In 1966, he began pursuing what would become his lifelong passion, home recording as a one-man band, using reel-to-reel tape decks set up in his parents’ basement in suburban Madison. In 1967, he formed a casual group with school friends, The Marlborough (a rock combo). He also began working for his father as a studio musician, and as an assistant at Mimosa Music, his father’s music publishing company. After dropping out of Vanderbilt University in 1971 to pursue the lifestyle of a one-man band rock artist,] Moore later had built up enough material to issue his home-recorded 1976 debut album Phonography on his uncle Harry “H.P.” Palmer’s HP Music label. The initial run was limited to 100 pressings. New York’s Trouser Press magazine gave the album positive reviews, calling it “an outrageous collection of musical brain spewage” and “a true slash of genius” in its December 1977 issue. Moore moved from Nashville to New Jersey shortly afterwards, his uncle then releasing two further vinyl collections, the Stance EP, and second album Delicate Tension in 1978 (Moore’s prolific home tape releases continuing at the same time). In 1996 “Phonography” was listed among “the fifty most significant indie records” in Rolling Stone’s Alt-Rock-A-Rama. (read the rest… HERE)

CONFIRMED! 9.27
++CLICK THE PICTURE TO RSVP!! ++

R STEVIE MOORE (Lo-fi Legend!!!! … FACEBOOK)

HORSE LORDS (FACEBOOK)

SPITTING IMAGES (New, mem. Sri Aurobindo, White Life, Needlegun)

$8/ 10pm

********************
from Wikipedia;
Robert Steven Moore (born January 18, 1952) is an American singer, songwriter, and musician. In addition to having numerous albums released on labels around the world, the prolific Moore has self-released over 400 cassette and CD-R albums since 1968, as well as dozens of home videos, mostly through the R. Stevie Moore Cassette Club, a home-based label. His eclectic work incorporates a variety of musical styles, both popular and experimental. From 1978 to November 2010, Moore lived and recorded in his apartment studios in Montclair, New Jersey, and then Bloomfield, New Jersey, before relocating to his native Nashville in December 2010. He is the oldest son of Bob Moore, veteran Nashville A-Team bassist, producer, and orchestra leader, as well as a longtime sideman for Elvis Presley, Roy Orbison and many others.

In February 2005, newspaper writer Tammy LaGorce praised Moore, dubbing him a “lo-fi legend” in the New York Times.

Biography
Moore, born in Nashville, Tennessee, made his commercial recording debut inadvertently at age seven, an overdub session his father—legendary Music City session musician Bob Moore (not Elvis guitarist Scotty Moore, as many articles mistakenly claim) —set up, singing a duet with Jim Reeves entitled “But You Love Me, Daddy” in 1959. The novelty song went unreleased for 10 years, when it became a hit single in the UK on the RCA Victor label in 1969.

Moore is proficient on guitar, bass, keyboards, percussion, and songwriting. In 1966, he began pursuing what would become his lifelong passion, home recording as a one-man band, using reel-to-reel tape decks set up in his parents’ basement in suburban Madison. In 1967, he formed a casual group with school friends, The Marlborough (a rock combo). He also began working for his father as a studio musician, and as an assistant at Mimosa Music, his father’s music publishing company.

After dropping out of Vanderbilt University in 1971 to pursue the lifestyle of a one-man band rock artist,] Moore later had built up enough material to issue his home-recorded 1976 debut album Phonography on his uncle Harry “H.P.” Palmer’s HP Music label. The initial run was limited to 100 pressings. New York’s Trouser Press magazine gave the album positive reviews, calling it “an outrageous collection of musical brain spewage” and “a true slash of genius” in its December 1977 issue. Moore moved from Nashville to New Jersey shortly afterwards, his uncle then releasing two further vinyl collections, the Stance EP, and second album Delicate Tension in 1978 (Moore’s prolific home tape releases continuing at the same time).

In 1996 “Phonography” was listed among “the fifty most significant indie records” in Rolling Stone’s Alt-Rock-A-Rama.

(read the rest… HERE)

CONFIRMED! 8.26
++ CLICK THE PICTURE TO RSVP!! ++

PUFFY AREOLAS (Cleveland, Siltbreeze… FACEBOOK)  THIS WORLD SUCKS (Bmore weird punk, not on the internet) BIG CHRIST (Bmore… BANDCAMP) $6/ 9:30pm from Mishka; Have you been itching to have your mind melted lately? Look no further than effing awesome band Puffy Areolas and their debut album In The Army 1981. It is start to finish hardcore eardrum ringing loudness that I just can’t get enough of! The group has released CD-Rs and tapes in the past but they’ve always been hard to come by. The bloggers out there that have had the chance to see Puffy Areolas live have been ranting and raving at how these guys are so stellar live and judging from this album I can totally see why the hype. The Ohio based 6 piece band are an experimental hardcore shitgaze group that lie somewhere in between thrash punk and psychedelic music. Tracks “Escape from Guyana”, “Noble Riot”, and “Fuck Your Pretzel” straight up rage with Krauty’s screeching vocals mixed on top of heavy reverbed guitar and kickin’ drums. “Puking in Piss”, “Heart Attack” and “Get Me Out of Houston” showcase the band’s psych side due to the unpredictability of the instruments and infusion of some crazy sax and some odd synapse flying spacey sounds. It’s “1981” that is the real winner off because it perfectly mixes all those elements that Puffy Areolas experiments with on other tracks and brings it together in a cohesive mess for the ears. It is more likely to win over listeners not familiar with this genre but still kills in the brain rattling noise department. With their “I don’t give a shit” attitude, Krauty’s raspy screams of “DEATHCRAZE!!” epically noisy guitars, and pulse racing drums, it’s “Deathcraze” that yanks my chain the most off this album.In The Army 1981 If anything, In The Army 1981 has definitely sold me on scoping out Puffy Areolas live. They’re one act that hipsters better put the iPhones away somewhere safe because this band is going to make you thrash and spaz out HARD.

CONFIRMED! 8.26
++ CLICK THE PICTURE TO RSVP!! ++
PUFFY AREOLAS (Cleveland, Siltbreeze… FACEBOOK)

THIS WORLD SUCKS (Bmore weird punk, not on the internet)

BIG CHRIST (Bmore… BANDCAMP)
$6/ 9:30pm


from Mishka;
Have you been itching to have your mind melted lately? Look no further than effing awesome band Puffy Areolas and their debut album In The Army 1981. It is start to finish hardcore eardrum ringing loudness that I just can’t get enough of! The group has released CD-Rs and tapes in the past but they’ve always been hard to come by. The bloggers out there that have had the chance to see Puffy Areolas live have been ranting and raving at how these guys are so stellar live and judging from this album I can totally see why the hype.

The Ohio based 6 piece band are an experimental hardcore shitgaze group that lie somewhere in between thrash punk and psychedelic music. Tracks “Escape from Guyana”, “Noble Riot”, and “Fuck Your Pretzel” straight up rage with Krauty’s screeching vocals mixed on top of heavy reverbed guitar and kickin’ drums. “Puking in Piss”, “Heart Attack” and “Get Me Out of Houston” showcase the band’s psych side due to the unpredictability of the instruments and infusion of some crazy sax and some odd synapse flying spacey sounds. It’s “1981” that is the real winner off because it perfectly mixes all those elements that Puffy Areolas experiments with on other tracks and brings it together in a cohesive mess for the ears. It is more likely to win over listeners not familiar with this genre but still kills in the brain rattling noise department. With their “I don’t give a shit” attitude, Krauty’s raspy screams of “DEATHCRAZE!!” epically noisy guitars, and pulse racing drums, it’s “Deathcraze” that yanks my chain the most off this album.In The Army 1981

If anything, In The Army 1981 has definitely sold me on scoping out Puffy Areolas live. They’re one act that hipsters better put the iPhones away somewhere safe because this band is going to make you thrash and spaz out HARD.

Added! 7.11

USSA Pleasuredome have been added to the Chris Forsyth show on 7.11

CLICK HERE to RSVP!!

Photos from The Sun Araw Band at Ottobar by Valerie Paulsgrove for Bmore Musically Informed. Read the review of the show HERE.

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