Unregistered Nurse


CALENDAR



5.23 Ottobar Upstairs
Foster Care
Secret Local Band
Savage Pinks
Gutterhooks


5.24 Sidebar
Coliseum
Red Hare
Give
Spoilage


5.27 Metro Gallery
MEMORIAL DAY RAGER
with
Natural Child
Slow Jerks
The Matrimonials
+ DJ Dad Weed


5.28 Metro Gallery
Lemuria
War on Women
Sick Sick Birds


5.31 Metro Gallery
Black Pus
Weekends
Baby Asprin DVD
Wing Dam
Teenage Souls


6.5 Ottobar Upstairs FREE SHOW
Woolen Men (Woodsist)
Lame Drivers
Crimson Wave
Expert Alterations


6.11 Metro Gallery
The Body
TBA


6.18 Golden West
BBQT
Mt. Carmel
TBA


6.20 Metro Gallery
Bleeding Rainbow
Fat Creeps
TBA


6.21 Golden West
Baltimore Animal Rights Federation (BARF) / Humane League Benefit!!
with
Friendbeast
Night Moves
Enemy Insect


6.26 Ottobar Upstairs
TBA


7.16 Metro Gallery
inc. (4AD Records)
Kelela
DJ Total Freedom


8.27 Ottobar
CSR 7th Anniversary!!!
with
Zero Boys
Night Birds
Give
WarXGames
Ravagers


10.17 Metro Gallery
U+Nfest preparty


10.18 & 19 Ottobar
U+Nfest




Booking Inquiries

unbooking@gmail.com



Hype

UNREGISTERED NURSE NAMED BALTIMORE'S BEST MUSIC PROMOTER 2012!!!

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atomic books
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Booking + promo, shows + tours

CONFIRMED! 5.5
++ CLICK THE PICTURE TO RSVP!! ++

Savage Booking & Unregistered Nurse Present; CINCO DE MAYO RAGER AT GW JUST $5!!!!! NIGHT BEATS (Experimental R&B from Seattle)FACEBOOK ADVLTS (Baltimore punk)FACEBOOK PLURALS (ex mem. Buttsteak/ Sick Weapons)BANDCAMP plus Drink specials!! 10pm

CONFIRMED! 5.5

++ CLICK THE PICTURE TO RSVP!! ++

Savage Booking & Unregistered Nurse Present;

CINCO DE MAYO RAGER AT GW
JUST $5!!!!!

NIGHT BEATS (Experimental R&B from Seattle)
FACEBOOK

ADVLTS (Baltimore punk)
FACEBOOK

PLURALS (ex mem. Buttsteak/ Sick Weapons)
BANDCAMP

plus Drink specials!!

10pm

CONFIRMED! 4.6
++ CLICK THE PICTURE TO RSVP !! ++

PURLING HISS (Drag City)FACEBOOK SPACIN’ (Richie Records // TestosterTunes)BANDCAMP  AXIS: SOVA (Kill Shaman)SOUND CLOUD From Spin Mag; “Philadelphia’s Purling Hiss began as the solo project of Kurt Vile associate Mike Polizze but the thing has since evolved into “a frightening, full-fledged power trio,” as noted in our Best New Artists of January roundup. These three brotherly fuzz-lovers have a new LP due March 19 via Drag City, and it’s called Water on Mars because when it comes to delivering life-giving juice to areas in need, the Hiss are experts. To wit: brand new jam “Mercury Retrograde,” which provides an ear-worming evolution on the shrugged-off mothball rock that Dinosaur Jr. pioneered in the late ’80s. “I don’t know, I don’t know / And I can’t do anything,” Polizze sings with an upbeat, distinctly what-me-worry sort of charm.” Presented by Unregistered Nurse $8/ 9pm Ticket Link coming soon!!

CONFIRMED! 4.6

++ CLICK THE PICTURE TO RSVP !! ++

PURLING HISS (Drag City)
FACEBOOK

SPACIN’ (Richie Records // TestosterTunes)
BANDCAMP

AXIS: SOVA (Kill Shaman)
SOUND CLOUD

From Spin Mag;
“Philadelphia’s Purling Hiss began as the solo project of Kurt Vile associate Mike Polizze but the thing has since evolved into “a frightening, full-fledged power trio,” as noted in our Best New Artists of January roundup. These three brotherly fuzz-lovers have a new LP due March 19 via Drag City, and it’s called Water on Mars because when it comes to delivering life-giving juice to areas in need, the Hiss are experts. To wit: brand new jam “Mercury Retrograde,” which provides an ear-worming evolution on the shrugged-off mothball rock that Dinosaur Jr. pioneered in the late ’80s. “I don’t know, I don’t know / And I can’t do anything,” Polizze sings with an upbeat, distinctly what-me-worry sort of charm.”


Presented by Unregistered Nurse

$8/ 9pm

Ticket Link coming soon!!

Added! 3.6

Little Rib has been added to the Jacco Gardner (Trouble in mind) show at Golden West on 3.6. CLICK HERE to RSVP!

R. Stevie Moore poster #2 by Chris Day. Click to RSVP

R. Stevie Moore poster #2 by Chris Day. Click to RSVP

R. Stevie Moore flier #1 by David Van, click to RSVP

R. Stevie Moore flier #1 by David Van, click to RSVP

CONFIRMED! 9.27
++CLICK THE PICTURE TO RSVP!! ++ R STEVIE MOORE (Lo-fi Legend!!!! … FACEBOOK) HORSE LORDS (FACEBOOK)

 SPITTING IMAGES (New, mem. Sri Aurobindo, White Life, Needlegun) $8/ 10pm ******************** from Wikipedia; Robert Steven Moore (born January 18, 1952) is an American singer, songwriter, and musician. In addition to having numerous albums released on labels around the world, the prolific Moore has self-released over 400 cassette and CD-R albums since 1968, as well as dozens of home videos, mostly through the R. Stevie Moore Cassette Club, a home-based label. His eclectic work incorporates a variety of musical styles, both popular and experimental. From 1978 to November 2010, Moore lived and recorded in his apartment studios in Montclair, New Jersey, and then Bloomfield, New Jersey, before relocating to his native Nashville in December 2010. He is the oldest son of Bob Moore, veteran Nashville A-Team bassist, producer, and orchestra leader, as well as a longtime sideman for Elvis Presley, Roy Orbison and many others. In February 2005, newspaper writer Tammy LaGorce praised Moore, dubbing him a “lo-fi legend” in the New York Times. Biography Moore, born in Nashville, Tennessee, made his commercial recording debut inadvertently at age seven, an overdub session his father—legendary Music City session musician Bob Moore (not Elvis guitarist Scotty Moore, as many articles mistakenly claim) —set up, singing a duet with Jim Reeves entitled “But You Love Me, Daddy” in 1959. The novelty song went unreleased for 10 years, when it became a hit single in the UK on the RCA Victor label in 1969. Moore is proficient on guitar, bass, keyboards, percussion, and songwriting. In 1966, he began pursuing what would become his lifelong passion, home recording as a one-man band, using reel-to-reel tape decks set up in his parents’ basement in suburban Madison. In 1967, he formed a casual group with school friends, The Marlborough (a rock combo). He also began working for his father as a studio musician, and as an assistant at Mimosa Music, his father’s music publishing company. After dropping out of Vanderbilt University in 1971 to pursue the lifestyle of a one-man band rock artist,] Moore later had built up enough material to issue his home-recorded 1976 debut album Phonography on his uncle Harry “H.P.” Palmer’s HP Music label. The initial run was limited to 100 pressings. New York’s Trouser Press magazine gave the album positive reviews, calling it “an outrageous collection of musical brain spewage” and “a true slash of genius” in its December 1977 issue. Moore moved from Nashville to New Jersey shortly afterwards, his uncle then releasing two further vinyl collections, the Stance EP, and second album Delicate Tension in 1978 (Moore’s prolific home tape releases continuing at the same time). In 1996 “Phonography” was listed among “the fifty most significant indie records” in Rolling Stone’s Alt-Rock-A-Rama. (read the rest… HERE)

CONFIRMED! 9.27
++CLICK THE PICTURE TO RSVP!! ++

R STEVIE MOORE (Lo-fi Legend!!!! … FACEBOOK)

HORSE LORDS (FACEBOOK)

SPITTING IMAGES (New, mem. Sri Aurobindo, White Life, Needlegun)

$8/ 10pm

********************
from Wikipedia;
Robert Steven Moore (born January 18, 1952) is an American singer, songwriter, and musician. In addition to having numerous albums released on labels around the world, the prolific Moore has self-released over 400 cassette and CD-R albums since 1968, as well as dozens of home videos, mostly through the R. Stevie Moore Cassette Club, a home-based label. His eclectic work incorporates a variety of musical styles, both popular and experimental. From 1978 to November 2010, Moore lived and recorded in his apartment studios in Montclair, New Jersey, and then Bloomfield, New Jersey, before relocating to his native Nashville in December 2010. He is the oldest son of Bob Moore, veteran Nashville A-Team bassist, producer, and orchestra leader, as well as a longtime sideman for Elvis Presley, Roy Orbison and many others.

In February 2005, newspaper writer Tammy LaGorce praised Moore, dubbing him a “lo-fi legend” in the New York Times.

Biography
Moore, born in Nashville, Tennessee, made his commercial recording debut inadvertently at age seven, an overdub session his father—legendary Music City session musician Bob Moore (not Elvis guitarist Scotty Moore, as many articles mistakenly claim) —set up, singing a duet with Jim Reeves entitled “But You Love Me, Daddy” in 1959. The novelty song went unreleased for 10 years, when it became a hit single in the UK on the RCA Victor label in 1969.

Moore is proficient on guitar, bass, keyboards, percussion, and songwriting. In 1966, he began pursuing what would become his lifelong passion, home recording as a one-man band, using reel-to-reel tape decks set up in his parents’ basement in suburban Madison. In 1967, he formed a casual group with school friends, The Marlborough (a rock combo). He also began working for his father as a studio musician, and as an assistant at Mimosa Music, his father’s music publishing company.

After dropping out of Vanderbilt University in 1971 to pursue the lifestyle of a one-man band rock artist,] Moore later had built up enough material to issue his home-recorded 1976 debut album Phonography on his uncle Harry “H.P.” Palmer’s HP Music label. The initial run was limited to 100 pressings. New York’s Trouser Press magazine gave the album positive reviews, calling it “an outrageous collection of musical brain spewage” and “a true slash of genius” in its December 1977 issue. Moore moved from Nashville to New Jersey shortly afterwards, his uncle then releasing two further vinyl collections, the Stance EP, and second album Delicate Tension in 1978 (Moore’s prolific home tape releases continuing at the same time).

In 1996 “Phonography” was listed among “the fifty most significant indie records” in Rolling Stone’s Alt-Rock-A-Rama.

(read the rest… HERE)

CONFIRMED! 8.26
++ CLICK THE PICTURE TO RSVP!! ++

PUFFY AREOLAS (Cleveland, Siltbreeze… FACEBOOK)  THIS WORLD SUCKS (Bmore weird punk, not on the internet) BIG CHRIST (Bmore… BANDCAMP) $6/ 9:30pm from Mishka; Have you been itching to have your mind melted lately? Look no further than effing awesome band Puffy Areolas and their debut album In The Army 1981. It is start to finish hardcore eardrum ringing loudness that I just can’t get enough of! The group has released CD-Rs and tapes in the past but they’ve always been hard to come by. The bloggers out there that have had the chance to see Puffy Areolas live have been ranting and raving at how these guys are so stellar live and judging from this album I can totally see why the hype. The Ohio based 6 piece band are an experimental hardcore shitgaze group that lie somewhere in between thrash punk and psychedelic music. Tracks “Escape from Guyana”, “Noble Riot”, and “Fuck Your Pretzel” straight up rage with Krauty’s screeching vocals mixed on top of heavy reverbed guitar and kickin’ drums. “Puking in Piss”, “Heart Attack” and “Get Me Out of Houston” showcase the band’s psych side due to the unpredictability of the instruments and infusion of some crazy sax and some odd synapse flying spacey sounds. It’s “1981” that is the real winner off because it perfectly mixes all those elements that Puffy Areolas experiments with on other tracks and brings it together in a cohesive mess for the ears. It is more likely to win over listeners not familiar with this genre but still kills in the brain rattling noise department. With their “I don’t give a shit” attitude, Krauty’s raspy screams of “DEATHCRAZE!!” epically noisy guitars, and pulse racing drums, it’s “Deathcraze” that yanks my chain the most off this album.In The Army 1981 If anything, In The Army 1981 has definitely sold me on scoping out Puffy Areolas live. They’re one act that hipsters better put the iPhones away somewhere safe because this band is going to make you thrash and spaz out HARD.

CONFIRMED! 8.26
++ CLICK THE PICTURE TO RSVP!! ++
PUFFY AREOLAS (Cleveland, Siltbreeze… FACEBOOK)

THIS WORLD SUCKS (Bmore weird punk, not on the internet)

BIG CHRIST (Bmore… BANDCAMP)
$6/ 9:30pm


from Mishka;
Have you been itching to have your mind melted lately? Look no further than effing awesome band Puffy Areolas and their debut album In The Army 1981. It is start to finish hardcore eardrum ringing loudness that I just can’t get enough of! The group has released CD-Rs and tapes in the past but they’ve always been hard to come by. The bloggers out there that have had the chance to see Puffy Areolas live have been ranting and raving at how these guys are so stellar live and judging from this album I can totally see why the hype.

The Ohio based 6 piece band are an experimental hardcore shitgaze group that lie somewhere in between thrash punk and psychedelic music. Tracks “Escape from Guyana”, “Noble Riot”, and “Fuck Your Pretzel” straight up rage with Krauty’s screeching vocals mixed on top of heavy reverbed guitar and kickin’ drums. “Puking in Piss”, “Heart Attack” and “Get Me Out of Houston” showcase the band’s psych side due to the unpredictability of the instruments and infusion of some crazy sax and some odd synapse flying spacey sounds. It’s “1981” that is the real winner off because it perfectly mixes all those elements that Puffy Areolas experiments with on other tracks and brings it together in a cohesive mess for the ears. It is more likely to win over listeners not familiar with this genre but still kills in the brain rattling noise department. With their “I don’t give a shit” attitude, Krauty’s raspy screams of “DEATHCRAZE!!” epically noisy guitars, and pulse racing drums, it’s “Deathcraze” that yanks my chain the most off this album.In The Army 1981

If anything, In The Army 1981 has definitely sold me on scoping out Puffy Areolas live. They’re one act that hipsters better put the iPhones away somewhere safe because this band is going to make you thrash and spaz out HARD.

Flier for the Gary War/ Human Host/ Mold Omen show 8.16 at GW by Mike Apichella
Click to RSVP

Flier for the Gary War/ Human Host/ Mold Omen show 8.16 at GW by Mike Apichella

Click to RSVP

CONFIRMED! 8.16
++ CLICK THE PICTURE TO RSVP!! ++
GARY WAR (Spectrum Spools/ Sacred Bones… FACEBOOK) HUMAN HOST (MT6/ Terra Firma… FACEBOOK) MOLD OMEN (FACEBOOK)  $7/ 10pm presented by Unregistered Nurse from NME; 7 / 10 Less Lisa Lisa than Nite Jewel, but without John Maus’ madman disco, Gary War is another Stateside analogue acolyte. Bearing a tape-recorder and nodding a head to late ’60s psychedelia (‘Bounce Four’), ‘New Raytheonport’ builds up lounge-lizard layers of eight-tracked melody, warping them before they finish their drinks. ‘Healthy Living’ comes straight from the Ariel Pink’s Haunted Graffiti songbook (Note from UN; Gary War used to play w Ariel Pink) – so muted that it makes John Cage’s ‘4’33’ sound like the Eroica Symphony, and with a bassline groove that’s looking to hustle. An ambitious cover of the Alan Parsons Project’s ‘Eye In The Sky’ pays off – somehow predating and supplanting the original, replacing prog with overheard chats. Reset your ears to ‘eavesdrop’, turn up the volume and enjoy.  from Mishka; Police Water is like New York’s Gary War emerging as Ziggy Stardust: this new-martian space child with a new-martian sound. It’s the electronic blips and bleeps of a robo-80s future, unseen worlds rendered via video game jams, War’s psychedelia rocket-blasting through the cosmos. It’s not a total redirect—the EP is still unmistakably him—but it’s enough to make you bolt straight up, anxious to hear the next star-punctuated thing. (full review… MISHKA)

CONFIRMED! 8.16

++ CLICK THE PICTURE TO RSVP!! ++

GARY WAR (Spectrum Spools/ Sacred Bones… FACEBOOK)

HUMAN HOST (MT6/ Terra Firma… FACEBOOK)

MOLD OMEN (FACEBOOK)

$7/ 10pm
presented by Unregistered Nurse


from NME;
7 / 10 Less Lisa Lisa than Nite Jewel, but without John Maus’ madman disco, Gary War is another Stateside analogue acolyte. Bearing a tape-recorder and nodding a head to late ’60s psychedelia (‘Bounce Four’), ‘New Raytheonport’ builds up lounge-lizard layers of eight-tracked melody, warping them before they finish their drinks. ‘Healthy Living’ comes straight from the Ariel Pink’s Haunted Graffiti songbook (Note from UN; Gary War used to play w Ariel Pink) – so muted that it makes John Cage’s ‘4’33’ sound like the Eroica Symphony, and with a bassline groove that’s looking to hustle. An ambitious cover of the Alan Parsons Project’s
‘Eye In The Sky’ pays off – somehow predating and supplanting the original, replacing prog with overheard chats. Reset your ears to ‘eavesdrop’, turn up the volume and enjoy.

from Mishka;
Police Water is like New York’s Gary War emerging as Ziggy Stardust: this new-martian space child with a new-martian sound. It’s the electronic blips and bleeps of a robo-80s future, unseen worlds rendered via video game jams, War’s psychedelia rocket-blasting through the cosmos. It’s not a total redirect—the EP is still unmistakably him—but it’s enough to make you bolt straight up, anxious to hear the next star-punctuated thing.
(full review… MISHKA)

Added! 7.11

USSA Pleasuredome have been added to the Chris Forsyth show on 7.11

CLICK HERE to RSVP!!

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